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Van Gogh began his work relying on the Dutch Masters. He was intrigued with the Masters' power to play with shadow and lightweight. He also found a connection within the painting of common events and/or people. For instance, The Potato Eaters captures several peasants sitting yourself down for a meal. The painting is dark, yet, light radiates in the faces. People who are desperate for love will attract the unsuspecting Empath in their mind. The innocent Empath often pays the cost of their kindness. It's a natural tendency to the person in pain to love their rescuer. Lines tend to get blurred. The Empath often gets hurt in the process. I have experienced this myself. It's painful to the Empath to view someone else experiencing emotional distress. I have personally been drawn into other people's suffering this way. I find myself being released these situations disoriented and wondering so what happened. The irrepressible privateer bounced returning together many major successes. Then in 1628, the Dutch despatched another three large privateer fleets to press home the benefit thus hitting the Spanish even harder. The smaller Dutch ships had the power of speed and manoeuvrability on the heavier Spanish galleons, whose routes were familiar to all or any the privateers. After several battles of varying success, almost all of the Dutch fleet headed home. The Spanish captains therefore, assuming these were now relatively safe, also thought we would set sail, their ships' bellies full of Mexican silver.