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"The term first appeared in Britain through the 1950s and referred to the interest of a variety of artists in the images of mass media, advertising, comics and consumer products. The 1950s were a period of optimism in Britain following a end of war-time rationing, along with a consumer boom occurred. Influenced by the art noticed in Eduardo Paolozzi's 1953 exhibition Parallel between Art and Life on the Institute for Contemporary Arts, through American artists for example Jasper Johns and Robert Rauschenberg, British artists like Richard Hamilton along with the Independent Group targeted at broadening taste into widely used, less academic art. Hamilton helped organize the 'Man, Machine, and Motion' exhibition in 1955, and 'This is Tomorrow' having its landmark image Just What is it that creates today's home so different, so appealing? (1956). Pop Art therefore coincided while using youth and pop music phenomenon from the 1950s and '60s, and became quite definitely a part with the image of fashionable, 'swinging' London. Peter Blake, as an example, designed album covers for Elvis Presley and also the Beatles and placed film stars including Brigitte Bardot in his pictures inside same way that Warhol was immortalizing Marilyn Monroe within the USA. Pop art arrived a number of waves, but it's adherents - Joe Trilson, Richard Smith, Peter Phillips, David Hockney and R.B. Kitaj - shared some interest inside urban, consumer, modern experience." The TASER C2 may be the newest electronic control device made available from TASER International. The TASER C2 is lightweight, compact, and ergonomically designed. The C2 weighs in at about 5 ounces and measures only 5.5 inches long, 2.1 inches high, and 1.25 inches wide. The compact size and lightweight make C2 a perfect personal protective device. The C2 could be carried a single of countless available holsters. The most recent holster even integrates a 1GB MP3 player into the holster. In today's society, beauty, physical attraction, and sexuality are common commonly misunderstood as some transcendent inevitable fact; falsely interlocking the 3 causes it to be seem doubly correct that to be able to initiate attraction between a man along with a woman, both sexes ought to be beautiful to be sexual.