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The panetar and gharchola form an essential aspect of the marriage ritual. The panetar sari is often a gift through the bride?s maternal uncle while the gharchola sari could be the gift from her new in-laws. Historically, the bride wore the panetar at the start of the marriage then gharchola following the wedding ceremony. Today, extremely common for your beloved partner to utilize a gharchola chunni over her head and shoulder to symbolize her movement from one family to an alternative. The panetar is surely an unique silk sari or chenia choli with which has a white body and red border. The plain white body is woven in Gajji silk with linear stripes or checks in gold zari. There are tie dyed (bandhani) motifs usually yellow/gold or green to adorn the sari. 7. Using distractions Aleef?s paintings also features some glimpse of the first orientalist Italian art works. His beautiful paintings of Jerusalem also depict the approach to life and culture of resident and non-residents during his time. Most of his prominent works possess a particular significance to that particular era?s local art movement; some of his popular paintings will be the landscape paintings of various places in Jordan. During his days in Jordan, Aleef build his first studio to show art to his fellow artists. Some of his students are Mohanna Durra and Rafiq Lahham who later became a few of the celebrated artists of last century.