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A picture of the bride smiling at you may be pretty, but it is also mundane. However, a picture of the bride standing by a window, looking out into a courtyard watching a little girl play gets you wondering. Is she wishing she was the little girl and for a return to her carefree youth or is she thinking I wonder if our children will be as beautiful when we have them? The latter is what makes a high fashion wedding picture. It is artistic and causes the viewer to think. When you lift the hood of one's car you see a great deal of components. All at the same time. Unless you are into automobiles this complex visual will deter you from wanting to understand much with what lies underneath the hood. Usually you limit yourself to understanding precisely what is needed to get the job done that you raised the hood. The panetar and gharchola form an essential aspect of the marriage ritual. The panetar sari is often a gift through the bride?s maternal uncle while the gharchola sari could be the gift from her new in-laws. Historically, the bride wore the panetar at the start of the marriage then gharchola following the wedding ceremony. Today, extremely common for your beloved partner to utilize a gharchola chunni over her head and shoulder to symbolize her movement from one family to an alternative. The panetar is surely an unique silk sari or chenia choli with which has a white body and red border. The plain white body is woven in Gajji silk with linear stripes or checks in gold zari. There are tie dyed (bandhani) motifs usually yellow/gold or green to adorn the sari.