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4. The number of arguments they make The plays on Faust and Bartleyby resemble in a few ways plus they at the same time differ in a few different ways. Their plot and flow is the same plus they make reader please read on more or wish to find out more regarding the story hence the desire to read the play/ narration towards the end. The plots are identical and the narrations flow smoothly offering the impression with the narrators. The narrators apparently understand the characters adequately and this make it possible for the principle characters to handle their employees within the right ways and according to their demands. Both narrations reflect the free will from the characters which might be involved within the have fun with the characters at some points requiring isolation so they really may be able to manage the problems affecting them. The woodwind section will glare in the drummers. The brass section sticks their noses up at them. And then they emerge about the field one day minus the drum line and you know what? No one can march for the life of them. No one can keep their steps. Lines are squiggling forward and backward. Formations which are once crisp and defined have become sluggish and bloated looking. That perfectly formed capital 'O' this rock band worked so difficult on a week ago now resembles a half-hearted 'U'. What is wrong with everybody? "Seventy-two precious arts are kept in a brocade bag, they may be kept being a great treasure. Eighteen turn out the essence of the famous treatises on pugilistic arts. Eighteen other arts describe in greater detail training methods with the use of special tools and training equipment. Wonderful types of attaining the flexibility of the breath-chi, exercises in obtaining hardness and lightness, clenching methods are written with all the blood of monks in magazines which might be kept like a treasure inside the brocade bag. One can seldom meet people that genuinely wish to do exercises with zeal: to turn into a real hero, one must often feel bitter taste of hard labour. " /Secret Shaolin Treatises for the Pugilistic Art/